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William H. Gass’s 650-page novel The Tunnel is one of the most complex, challenging books published in English in the 1990s. Stephen Schenkenberg investigates two valuable offerings from the Dalkey Archive Press helping us understand this disagreeable and stunning novel. [more]
Mulligan Stew, considered by many to be Sorrentino’s greatest novel, is also probably the one in which his anger most powerfully dictates content. Yet, argues Scott Esposito, it’s not a rant, or a mere satire, but a literary masterpiece. [more]
If the space for innovative cinema has shrunk over the course of two decades, unconquered territories still remain, perhaps even thrive, in the early 21st century. M.S. Smith discovers some of them at the Toronto International Film Festival. [more]
Is it correct to accept religion and science as squaring off across a red-blue scrimmage line? J.C. Hallman argues for a more inclusive view of each. [more]
John Updike is my neighbor. I have not talked to John Updike. He seems rather vaguely pissed off at me. [more]
Is it right to teach 12th-graders a book that involves blow jobs? Where should the line be drawn, and who should draw it? Teachers? Administrators? Matthew Cheney delves into his time as a teacher to find an answer as to what is appropriate. [more]
Winter 2007
Dan McCarthy
Halfshell, 2006
Oil on canvas
68 x 46 inches
Courtesy of Anton Kern Gallery